Aleshea Harris' debut feature, 'Is God Is', is a powerful exploration of family, revenge, and the struggles faced by Black women. The film follows the journey of fraternal twins Racine and Anaia, who embark on a quest to kill their father after learning of his violent past. While the acting is strong, the film's visual flatness detracts from its potential, leaving it feeling just short of greatness.
One of the most striking aspects of 'Is God Is' is its commentary on the dynamics of Black families. The film highlights the idea that Black men often bring their outside frustrations and exploitation home, causing chaos and expecting more love and forgiveness in return. This is exemplified by the film's patriarch, played by Sterling K. Brown, who embodies a sinister, otherworldly image of masculinity run amok. In my opinion, this portrayal is a powerful commentary on the unbalanced relationships that can develop within Black families, where women are often expected to calmly support the men in their lives, setting aside their own feelings and safety.
What makes this particularly fascinating is the film's exploration of the concept of revenge. The twins' quest to kill their father mirrors that of The Bride in Quentin Tarantino's 'Kill Bill', as they follow a bloody trail of vengeance before the final showdown. This raises a deeper question: what does it mean to seek revenge, and how does it impact the individuals involved? Personally, I think that the film's portrayal of revenge is a powerful commentary on the cycle of violence and the struggle for justice. It also highlights the idea that revenge is not just about seeking retribution, but also about finding closure and healing.
However, one thing that immediately stands out is the film's visual flatness. The South we see in 'Is God Is' is a desolate, underpopulated landscape, too neat and quiet for a story that should feel larger. This is a shame, as the film's strong performances and rich script deserve a more visually dynamic presentation. In my opinion, the film's visual flatness detracts from its potential, leaving it feeling just short of greatness.
Overall, 'Is God Is' is a powerful and thought-provoking film that explores the complexities of family, revenge, and the struggles faced by Black women. While the film's visual flatness is a disappointment, the strong performances and rich script make it a must-see for those interested in exploring these themes. From my perspective, the film is a testament to the power of storytelling and the ability to create a compelling narrative that resonates with audiences.